Tag Archives: forests

the hills have the long watch…

hills.jpg

(please read this aloud and let the words take you wherever they may…)

Here I sit, uncold, wrapped in the jumps

That my brain takes from Here, to There, from Now to Then.

When I settle, deeply, warmly into Then

Outside, the russet-tinged clouds scud and scurry

Outside, the rusted tin roof screeches, echoing the owl of last light.

The limbs of the tree dance,

wind pushed togetherly, sway mightily.

We go to the line of the roof,

gable eyes winking, flashing and winking.

It nods to the left, my right, shows me the old house.

The wall of gathered river-cobbles rounded by

Concussion, collision, crafted erosion.

Here they stand, where they were laid down, in lines of curved straightness.

Trapping a horsehair from centuries long gone.

The cobble’s an egg-shell containing a fossil.

River sand limestone, grit, hair and water.

They stack up in courses, lines and right angles.

Long stone for the door jam, windows and corbels.

Put there by Old John, Jack, Will or long-Henry.

My gaze leaps the old house, springs over tin barn

Over to the hedgerow that marches the old road

Laid down by Romans, or even before them.

Trodden on by peddlers, tin-men and farm-hands

Weary and wary and stepping through puddles

Hands cupping treasures, or casting out crumbles

The sky gaze over but never the same one.

The hills have the long watch

They’ve witnessed

The marriage, the murder, the chase and the capture

The lost and the found and the sly interloper

The birth of a baby, the death of a lover

The shriek of a coachwheel, the cry of a robber

The creak of collision, the crack of a leg-bone

The stealing of purses, hearts, souls and virtue .

This road lines past the high hills, the place where my heart lies

Heather, furze, whimberry, rowan and hawthorn

Edge curved paths hug the whitestone cliff

Past the long barrow, the holes of the dry wall a window

The home of the adder, sneck yates, the droveway.

A long stone, a walkway, a ‘wonder-where-that-goes?’

A lost hour, a found way, a new way to Haxby

A once hidden valley, a discarded horseshoe

A long line of engines, toiling and trundling.

I find myself lost and lose myself found

I trudge and upwalk, steps into bounds

The rise is a hill, the steepest of mounds

I slip, only once, my blood stains the ground.

Then I’m free of the climb, up, look once around,

free now of rhyme, now I’m on top of the hill

The top of the hill, here it’s cold and I spy

A bottle, long buried, the neck winks a glimmer.

A picnic, the twenties, flannel for him,

Wool skirt for her, a blanket for both.

Some brown ale, a salt egg, a shared patch of sky.

His interlaced fingers cradle his head

As the sky races on, clouds huddled, rush by

She talks of the future, the summer they’ll wed.

He thinks of the sky, the day it turned red.

Not here, but in Ypres

Green Howards go forward,

Onward to chaos

The mud turns to the colour

Of shepherds warning

A lobster a boiling

A storm

Of shouting, screams, shells falling then

-John, what do you think? What shall we do then…?

He blinks, shakes his head,

begs his leave (for now lads)

Of Johnson and Wilson and Smith, Lees and Thomas.

He knows where they are (forever they’ll be lads)

Forever Green Howards, never now tailor

Or farmer, or blacksmith, tanner or turner.

John turns to his Mary, sweet sun on his meadow.

She knows, will not mention,

uses love to heal terror.

They swig from the bottle, then bury it

Under a slip of a Rowan, the berries her children.

The red of a warning, food for the skylark

The finch and the redwing.

Hiding a bottle until now, when I find it.

That was my brief pause, where John had his picnic.

Onward, well downwards

The path, steep, heel ruts for toe-holds,

A curlew overflies and answers another

I dip below wind, warm now and cautious.

It’s steeply slippy, hands grasp the bracken.

hill2

The hills have the long watch, the furze, deeply trodden

A march stolen, a hidden down treasure,

A stop, stump-trip shinned knee.

The wait of a parent, the crunch of the gravel,

the kiss of the key on the lock, unsteady.

The stars freckle the night and wink.

The hills know, but will never tell

of the birth and death of those flickery candles.

The dance of the lights, the death of the night

The courtship of the dawn and the gloom.

They have felt the weight of clawed paws

The prance of hares leaping in the long grass

as they pause at the shock of the eclipsing moon.

Here ends the rainbow, here, here and here.

There goes Auld Tom, driving the herd, switch flicking

Feet stretching from lowlands to Durham, finally York.

Here stands James Douglas, his army

of Scots and their taking of Byland.

Here knelt a king, cowed by the Bruce.

The shadow the abbey, whole just for now

Bore witness to the rout.

They marched on the old road, laid by the first feet

Which laid the barrow,

Opened the lime of the hill to bury a king.

The hills embraced him, enfolded his cairn in moss and turf.

Then they waited, until he became part of the earth,

Returned to his home,

Returned to the long watch.

hill3

It’s lighter in the dark…

This wizened bough bent and hollownight tree

Willow waving  and whipping

Twisted Haw-

-thorn May bud and holly berry

My footprint is silent

My footsteps are loudly

The church she sings proudly

warmly bell ring

The lane it is

silent yet far in the village

A laugh runs towards me

A laugh lights the darkness

Warms the silence.

Walking in the night. I followed the glisten of the puddles and the sky-pointing arms of the hedges. It is dark. Night. December night. But walking without light from a lamp, well, it doesn’t take the eye long to realise the secret of night.

It’s not dark  at night.

Light makes the night dark.. It pushes and condenses it into a choice. Here is the bubble of light; there is the sea of dark. This makes it a constant struggle as the night leans into the glow. The light makes it harder to see out of the bubble.

No light means that there isn’t a line, there isn’t a state of here or there.

It becomes light enough to see, navigate, walk. And it opens your ears, heightens all the senses. And it gifts you a glimpse of a vole; or a hedge pig. The sounds from afar come and go but, and this is true, the ears work better when they are not lulled into lazing by the vigilant eyes in light. This is much more of a co-operative effort. The body working as it should, with every part doing it’s fair share of work. I sensed a little obstacle, didn’t see it, but, sensed it. So I stepped over it without a thought.

So what can I learn from this? That the world isn’t made to work to extremes. It works in shades, graduations. There is room for people to have different points of view and both people can be right. Or no one can be wrong. And the other point of view- if you create a bright light, you will create darkness.

Take from that what you will.

And let me know what it is.night tree two

I used to be a railway…

I  used to be a railway

I used to be a railway...
I used to be a railway…

Down my gleaming silver ribbons

Dashed carriages and steamy, gleamy engines

Carrying dainty painted crockery

Sacks of sweetheart’s kisses on envelopes

Crates of polished apples

And sons off to war.

I used to be a railway

Past my gleaming silver ribbons

Toiled doughty men of clod and clay

Turning earth and tilling the day away

Waited those men of clod and clay

Willing the train to come and

Carry them off to war.

I used to be a railway

On my gleaming silver ribbons

Those powerful chugging engines worked and

Brought cloth to swaddle baby

Black lace to trim the clothes

Of the mothers and mourners

And the shrouded shells of sons home from war.

I went for a walk this morning, looking for something. Over the humpy bridge built by the original inhabitants of my cottage. Down the side, under the bridg I visited this liminal place. The tracks are gone but the ghosts remain. I was filled with thoughts of what had been carried up and down the line and the words above were there, waiting to be plucked out of the air like a ripe apple.

I found some wood for the fire too.

What have you found today?

From the morning…

One misty, moisty, morning, When cloudy was the weather, There I met an old man All clothed in leather All clothed in leather, With a cap under his chin. How do you do? And how do you do? And how do you do again?
One misty, moisty, morning,
When cloudy was the weather,
There I met an old man
All clothed in leather
All clothed in leather,
With a cap under his chin.
How do you do?
And how do you do?
And how do you do again?

I have started using the morning as a time to go and find something new.

Light the fire, kettle on and this gives me a rough sense of time to focus upon.

The kettle will simmer away happily but will will take at least fifteen minutes to boil.

So this gives me a certain amount of freedom, with a constraint, guided by my thirst.

I walk the lanes, looking for something. It could be a branch that will go on the fire; it could be a handful of berries, some rosehips; a pretty stone; or a photograph. It could be an idea for a song or a poem or artefact.

This morning was misty and ever so still. I turned right out of the door and headed for the lanes.

The air was light and the light was thick. My breath invisible, just like the end of the lane, hiden by the sepia fog.

I decided to go and say hello to the old windmill. Then I walked on, looking at the flowers in the verge, hearing little birds flitting and foraging for breakfast.

I found this scene to photograph, then I went home and the kettle was bubbling away, ready for a cup of tea. As I was uploading the photo, I searched for poems about mist and I discovered the old nursery rhyme above. So that was two new things this morning and a clear head.

What have you discovered recently? I’d love to talk about it with you. The kettle is always simmering on the fire for a cup of tea.

At a real still point.

I awoke on Sunday not knowing that there would be a change.

I awoke on Sunday with a plan for the day. Simple chores and houseold tasks, followed by an evening of Lindy Hop.

Something changed and a conversation with a new friend lead to…

something

new

familiar

timely.

A walk in a place I knew well. The difference being that I was seeing it through someone else’s eyes and it completely changed the way I viewed the cobbled streets and wonky roads. I saw backyards and ginnels and places filled with treasure.

The sun was shining, the November sky shedding months, becoming an August or July. A walk up, through bosky woods, still damp from the morning dew, feet getting wet. Looking through the eyes of another helped me to climb the steep path.

And then. A still point. Nexus. Anchor. All of those and more.

This is my photograph of it. I took the photo with a click of my eyes and I’m showing it to you below. Here it is:

“Warmed by the smile of an unexpected sunday

The orchard behind us

Our futures before us.

The present hangs and waits,

While we inhale the moment.

The past sits and dimmers

While we exhale the torment.

The orchard behind us

Our futures before us.

Knelt by the side of a

door in a treeforest.

The orchard will find us

Our futures are for us…”