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the hills have the long watch…

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(please read this aloud and let the words take you wherever they may…)

Here I sit, uncold, wrapped in the jumps

That my brain takes from Here, to There, from Now to Then.

When I settle, deeply, warmly into Then

Outside, the russet-tinged clouds scud and scurry

Outside, the rusted tin roof screeches, echoing the owl of last light.

The limbs of the tree dance,

wind pushed togetherly, sway mightily.

We go to the line of the roof,

gable eyes winking, flashing and winking.

It nods to the left, my right, shows me the old house.

The wall of gathered river-cobbles rounded by

Concussion, collision, crafted erosion.

Here they stand, where they were laid down, in lines of curved straightness.

Trapping a horsehair from centuries long gone.

The cobble’s an egg-shell containing a fossil.

River sand limestone, grit, hair and water.

They stack up in courses, lines and right angles.

Long stone for the door jam, windows and corbels.

Put there by Old John, Jack, Will or long-Henry.

My gaze leaps the old house, springs over tin barn

Over to the hedgerow that marches the old road

Laid down by Romans, or even before them.

Trodden on by peddlers, tin-men and farm-hands

Weary and wary and stepping through puddles

Hands cupping treasures, or casting out crumbles

The sky gaze over but never the same one.

The hills have the long watch

They’ve witnessed

The marriage, the murder, the chase and the capture

The lost and the found and the sly interloper

The birth of a baby, the death of a lover

The shriek of a coachwheel, the cry of a robber

The creak of collision, the crack of a leg-bone

The stealing of purses, hearts, souls and virtue .

This road lines past the high hills, the place where my heart lies

Heather, furze, whimberry, rowan and hawthorn

Edge curved paths hug the whitestone cliff

Past the long barrow, the holes of the dry wall a window

The home of the adder, sneck yates, the droveway.

A long stone, a walkway, a ‘wonder-where-that-goes?’

A lost hour, a found way, a new way to Haxby

A once hidden valley, a discarded horseshoe

A long line of engines, toiling and trundling.

I find myself lost and lose myself found

I trudge and upwalk, steps into bounds

The rise is a hill, the steepest of mounds

I slip, only once, my blood stains the ground.

Then I’m free of the climb, up, look once around,

free now of rhyme, now I’m on top of the hill

The top of the hill, here it’s cold and I spy

A bottle, long buried, the neck winks a glimmer.

A picnic, the twenties, flannel for him,

Wool skirt for her, a blanket for both.

Some brown ale, a salt egg, a shared patch of sky.

His interlaced fingers cradle his head

As the sky races on, clouds huddled, rush by

She talks of the future, the summer they’ll wed.

He thinks of the sky, the day it turned red.

Not here, but in Ypres

Green Howards go forward,

Onward to chaos

The mud turns to the colour

Of shepherds warning

A lobster a boiling

A storm

Of shouting, screams, shells falling then

-John, what do you think? What shall we do then…?

He blinks, shakes his head,

begs his leave (for now lads)

Of Johnson and Wilson and Smith, Lees and Thomas.

He knows where they are (forever they’ll be lads)

Forever Green Howards, never now tailor

Or farmer, or blacksmith, tanner or turner.

John turns to his Mary, sweet sun on his meadow.

She knows, will not mention,

uses love to heal terror.

They swig from the bottle, then bury it

Under a slip of a Rowan, the berries her children.

The red of a warning, food for the skylark

The finch and the redwing.

Hiding a bottle until now, when I find it.

That was my brief pause, where John had his picnic.

Onward, well downwards

The path, steep, heel ruts for toe-holds,

A curlew overflies and answers another

I dip below wind, warm now and cautious.

It’s steeply slippy, hands grasp the bracken.

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The hills have the long watch, the furze, deeply trodden

A march stolen, a hidden down treasure,

A stop, stump-trip shinned knee.

The wait of a parent, the crunch of the gravel,

the kiss of the key on the lock, unsteady.

The stars freckle the night and wink.

The hills know, but will never tell

of the birth and death of those flickery candles.

The dance of the lights, the death of the night

The courtship of the dawn and the gloom.

They have felt the weight of clawed paws

The prance of hares leaping in the long grass

as they pause at the shock of the eclipsing moon.

Here ends the rainbow, here, here and here.

There goes Auld Tom, driving the herd, switch flicking

Feet stretching from lowlands to Durham, finally York.

Here stands James Douglas, his army

of Scots and their taking of Byland.

Here knelt a king, cowed by the Bruce.

The shadow the abbey, whole just for now

Bore witness to the rout.

They marched on the old road, laid by the first feet

Which laid the barrow,

Opened the lime of the hill to bury a king.

The hills embraced him, enfolded his cairn in moss and turf.

Then they waited, until he became part of the earth,

Returned to his home,

Returned to the long watch.

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The Mysterious Case of the Disappearing Schools. Or “Of Course It’s Bloody Privatisation”

This week, Nicky “I’m not Michael Gove, Honest” Morgan and her chum George “I’m not Satan, Honest” Osborne, announced that every school in England would be force…

Source: The Mysterious Case of the Disappearing Schools. Or “Of Course It’s Bloody Privatisation”

where the gravity’s silent…

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Original pencil, type & ink drawing, available in my Etsy shop: UnderAVintageSky

A flicker, sensed more than seen.

 

No sound, no storm she foretells today.

White night owl, moon-ray above the hedge

Circles, tail chased by the night,

Lofts, dodging the evening,

12885708_1277265058957115_6388395575950480432_o.jpgHangs, catching the scent.

Or is it the scurry of a heart beating fast?

The floating feather of light,

blots out the night.

In this indigo woven blanket of eventide

The weary day feeders hunker down and doze

Above she glides, feathers fanning the air

Above she gazes, eyes examining the ground.

Down!

Down!

Down she dives, an explosion of silence

A flurry of hastily expelled air.

Up!

Up!

Up she leaps, now done with violence

Aloft in the night sky, an absence

A white hole, where the gravity’s silent

White night owl, a light in the darkness.

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hare she leaps…

12768130_1261241263892828_526338452705703039_o.jpgIn the night

In the night we leap, lope and love

In the creaky, misty, care-worn spouse of the day we lay

Lay low and listen, quivering lines

seeking the man’s tread, the whisper of an owl

brock wander, grey shadow sideways bound

there’s a silence hanging heavy, dew not yet formed

rasp of grooming kitten fur, vixen starts and growls

hare she leaps,

hare she stands

hare she listens

In the morn

in the morn we hide, heal and home

In the dewy, promising night’s lovers entrance

we scratch a form and lie and rest.

Brock he sleeps also, vixen she dreams of the open coop

an engine coughs to life and she starts, tasting the oil as it

drifts down the lane to where she coils the legs that spring

hare she wakes

hare she speeds

hare she races

In the spring,

In the spring, we bound, bond and box!

In Eostre’s waking dawn, mother of the harvest

We box, hare she stands, hare he stands

and we box

Until the day she says,

“leveret come to me, come to my form and be

a hare, the spirit of the fields

leveret she comes

leveret she comes

In the night…

For the mothers…

Here are a selection of my hand made Mother’s Day cards available in my Etsy shop

https://www.etsy.com/uk/shop/UnderAVintageSky

They cost £3 each including UK postage. Don’t be caught out this year, Mother’s Day is really early- in fact, it’s only a few weeks away, on the 6th of March.

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On a nightingale floor…

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Two people sitting on a nightingale floor.

One is a sinner, the other’s a whore.

Ten candles flicker, flames kissing the wall

Frozen in quiet, dark shadows dancing

one second still and the very next leaping.

in silvered quiet,

tarnished by fear, hate and crescents of wildness .

Polished by black velvet words

Silently spoken

Broken she shudders and judders

retelling the violence

through this, she’s healing

whilst sitting in silence.

Her face tells the story of

years of lost childhood

decades of darkness

splintered nights of full blackouts

where the memory is vanished

furled up in corners

foxed, stained and dog-eared

they shy from the light

the sound of kind voices and

unbidden caring.

Two people sitting on a nightingale floor.

Which one’s the sinner? Which is the whore?

Lines, bruises, tears, scars keeping score.

There a brief sound, the shadows stand silent

Another lonely Londoner, soul torn in quarters

Of moth-eaten cheesecloth, stained by salt tearfall.

Her mouth purses, fights with the silence

It opens, then pauses, lips forming vowels

Her cheeks grimace, forming those valleys

Where rivers run downward,

the spring source her eyelids.

Her shoulders pause, hitch, dip, rise

and then let go.

Is it the floor’s song?

A sigh of intrusion, or a cry from her darkness?

The ghosts, linger and circle and

test, try her patience.

They tease her and taunt her and

deride all her courage.

They hide in the not-light, that space between shadows

The gap between words

The pause before promise

the stop before first step.

She stands, covers mirror,

and kicks out the candles.

And strides out a-singing.

Laughing at shadows.

She’s not what she was, she’s now the lightness of

purpose, sweet self worth and courage.

She faced up the shadows,

And looked in the mirror,

disposed of her future,

the one they did tell her

was all she could hope for.

And laid down her past hurts

with a soft kiss of parting

and a promise to remember

and revisit the painhouse

to retain the power to

tell them to quiet

And let her regain life.

The floor is now silent as she leaves for

whatever may follow…

In addition to writing and thinking and discussing it, I also try to make a modest living creating things.

There are a few different mediums which I work in. Here are a few glass etched images that I have created recently. I work to order and I accept commissions too.

As you can see,  I have included two etchings of people’s loved ones, which were based on photographs which were sent to me. These are ones which I am proud of.

Please contact me here at kieron@underavintagesky.com if you wish to discuss a commission.

It’s lighter in the dark…

This wizened bough bent and hollownight tree

Willow waving  and whipping

Twisted Haw-

-thorn May bud and holly berry

My footprint is silent

My footsteps are loudly

The church she sings proudly

warmly bell ring

The lane it is

silent yet far in the village

A laugh runs towards me

A laugh lights the darkness

Warms the silence.

Walking in the night. I followed the glisten of the puddles and the sky-pointing arms of the hedges. It is dark. Night. December night. But walking without light from a lamp, well, it doesn’t take the eye long to realise the secret of night.

It’s not dark  at night.

Light makes the night dark.. It pushes and condenses it into a choice. Here is the bubble of light; there is the sea of dark. This makes it a constant struggle as the night leans into the glow. The light makes it harder to see out of the bubble.

No light means that there isn’t a line, there isn’t a state of here or there.

It becomes light enough to see, navigate, walk. And it opens your ears, heightens all the senses. And it gifts you a glimpse of a vole; or a hedge pig. The sounds from afar come and go but, and this is true, the ears work better when they are not lulled into lazing by the vigilant eyes in light. This is much more of a co-operative effort. The body working as it should, with every part doing it’s fair share of work. I sensed a little obstacle, didn’t see it, but, sensed it. So I stepped over it without a thought.

So what can I learn from this? That the world isn’t made to work to extremes. It works in shades, graduations. There is room for people to have different points of view and both people can be right. Or no one can be wrong. And the other point of view- if you create a bright light, you will create darkness.

Take from that what you will.

And let me know what it is.night tree two

Here we go again…

Here we go again,

Living at the same address,

Picking up the same old mess.

in the sky

Here we go again,

Shouting at the lying press

Touting store-bought happiness.

Here we go again,

MPs cheering  their ‘success’

War’s boots forced acquiesce…

Here we go again,

Sickened at the bombs progress

Making worse this worlds distress.

(Now I’ve had my fill)

I’m talking to you

I’m talking to you

Can’t you hear me?

(This is what you’re causing)

A shout-

“Bring out your dead!”

“Bring out your dead little sister.”

“Bring out your dead!”

“Bring out your dead little brother.”

(This is what your bombs cause)

He cries-

“I’m the one feeling alone

I’m the one sitting on stone

I’m the one without a home.”

 

This is what we are causing. There will be people dead now that were alive yesterday. Killed by bombs that we paid for.

What’s a life worth?

How many families would each bomb have paid to look after if we had spent the money on them, rather than building something whose only purpose is to kill and destroy?

Each bomb we are using costs £800 000.

That’s per bomb.

What’s a life worth?

 

 

 

After a storm…

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After a storm comes a new sunrise.

After a storm

Comes a pause, a deep breath.

a moment of blissful

Unknowing.

a conscious step

survey  damage, tread boundaries and

take stock,  the next breath.

 

After a storm

Comes applause, a steep path

a moment of mindful

Knowing.

unconscious steps

repair damage, strengthen boundaries and

make stock, a new breath.

 

After a storm

Comes a new you.

After a storm

Comes renewal.

 

Life, like a storm, can be unpredictable. We can be bumbling along, blissfully unaware that, all of a sudden, a storm is going to hit. Then life can change, on a penny. I started considering this after the horrendous slew of events that have happened in the world recently.

Those people, innocently living. Unconsicously only breaths away from their time of dying. It’s the randomness that strikes home. And it strikes hard. What if they had missed a bus, lost their keys, gone to the toilet?

And then I started thinking about aftermath. That’s when the mettle shows. What do we do after a storm?

Sit and wonder what on earth the first step is going to be? Take a deep breath and just start?

Over the years, I have weathered many storms. I won’t go into them, but I will say that they have taken me right down to the bedrock of who I am. I have been broken. Shattered. Excoriated and ravaged.

I kept on breathing and took the little steps. Because those are the hardest ones. I heard a song, many years ago. It is called ‘Keep Breathing’ by Ingrid Michaelson. I suspect it may have been on a TV programme, but I heard it during a wander through You Tube. Please listen to it:

“Keep Breathing” by Ingrid Michaelson

I then came across the Japanese art form called Kintsugi. This amazingly beautiful process takes broken items and repairs them. But the wonderful thing is that it doesn’t try to hide the repairs. It highlights them by using gold to make the repairs.  It’s breathtakingly beautiful. And it’s a superb metaphor for how we act after a storm. Don’t hide the scars, the stretch marks, the wonky bits. Polish them and be proud. They show that you survived…

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